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Gen Chat XV: A Whole New Chat
+8
-Mazer
zulux21
Justin
TensePsychopath
Lunacy
ColumbianLoom
Bearhugger29
Hugh Mungus
12 posters
Page 16 of 40
Page 16 of 40 • 
1 ... 9 ... 15, 16, 17 ... 28 ... 40 
Re: Gen Chat XV: A Whole New Chat
by smirkytrick Wed Oct 26, 2016 4:57 pm
Okay I made my about me page
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Re: Gen Chat XV: A Whole New Chat
by Cybersix Wed Oct 26, 2016 5:14 pm
Pretty muchHugh Mungus wrote:If it's your property, claim it.
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Re: Gen Chat XV: A Whole New Chat
by Lunacy Wed Oct 26, 2016 5:27 pm
I just ate a ghost pepper, and while spicy, no where near how much I thought it would be. Also, not the spiciest pepper I've ever had.
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Re: Gen Chat XV: A Whole New Chat
by Koenig Wed Oct 26, 2016 11:54 pm
So...I take it no one wants to read my Paper Mario review. 
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Re: Gen Chat XV: A Whole New Chat
by zulux21 Thu Oct 27, 2016 1:00 am
hmmm early january for switch release date, price, and launch line up.
now to not care again until then
now to not care again until then
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Re: Gen Chat XV: A Whole New Chat
by TensePsychopath Thu Oct 27, 2016 8:57 am
Koenig wrote:So...I take it no one wants to read my Paper Mario review.
I think a lot of people here just don't pay attention to each other most of the time.
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Re: Gen Chat XV: A Whole New Chat
by Justin Thu Oct 27, 2016 9:38 am
Hmm? What was that?
Wasn't paying attention.
Wasn't paying attention.
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Re: Gen Chat XV: A Whole New Chat
by zulux21 Thu Oct 27, 2016 11:15 am
A number of sources, including those who informed me of the Switch's design and detachable controllers back in July, have all confirmed other capabilities which Nintendo is currently keeping quiet.
Let's start with the Nintendo Switch's screen. It is 6.2" in size, 720p and - for the first time in any Nintendo device - boasts a capacitive multi-touch screen.
(Both 3DS and Wii U featured resistive touchscreens, reliant on pressure and less precise. They were also single-touch only.)
// Mod Edit:
So, how will the touchscreen work when the Switch is docked? While connected to your TV the Switch itself is out of reach - you play either with both JoyCon controllers attached to the system's grip or with a Pro Controller. The Switch's touchscreen is almost entirely obscured within the console's dock.
The answer may lie hidden in the right-hand JoyCon, which houses a short-range IR sensor in its base. This could be used to point at the TV to replicate basic touchscreen functionality, picked up by a corresponding IR sensor in the Switch's dock.
bleh if it does have a touch screen (which would logically make sense in this day and age) why is nintendo refusing to comment about it.
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Re: Gen Chat XV: A Whole New Chat
by Justin Thu Oct 27, 2016 3:03 pm
Well that's because Nintendo.zulux21 wrote:why is nintendo refusing to comment about it.
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Re: Gen Chat XV: A Whole New Chat
by LegendX48 Thu Oct 27, 2016 4:39 pm
They want to put as much distance between the Switch and past systems as they possibly can.
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Re: Gen Chat XV: A Whole New Chat
by -Mazer Thu Oct 27, 2016 8:46 pm
Koenig wrote:So...I take it no one wants to read my Paper Mario review.
Where did you post it? Also Koenig - wanna join our website and write reviews with us? I will promote the heck out of you.
TensePsychopath wrote:Koenig wrote:So...I take it no one wants to read my Paper Mario review.
I think a lot of people here just don't pay attention to each other most of the time.
I do pay attention as best I can but mostly I pop in during work...but I do care bout all of you guys ;_;
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Re: Gen Chat XV: A Whole New Chat
by -Mazer Fri Oct 28, 2016 5:30 am
i SEE A huge difference in the new skyrim
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Re: Gen Chat XV: A Whole New Chat
by zulux21 Fri Oct 28, 2016 7:24 am
-Mazer wrote:i SEE A huge difference in the new skyrim
I dub thee Sir Wiener the hound of barkshire
o.O
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Re: Gen Chat XV: A Whole New Chat
by -Mazer Fri Oct 28, 2016 2:12 pm
This game is optimized beautifully. The graphics are so crisp and the updated textures so sexy...I am forced to play limited vanilla because the files are different and modders need to alter there stuff to make it compatible
Luckily my Jackal mod still works. Super happy.
Luckily my Jackal mod still works. Super happy.
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Re: Gen Chat XV: A Whole New Chat
by Koenig Fri Oct 28, 2016 10:39 pm
- Spoiler:
- Paper Mario: Color Splash
Draft Review
Paper Mario: Color Splash is the newest installment in the long running Paper Mario series, and spiritual successor to the controversial 2012 release, Paper Mario: Sticker Star. Unlike the original RPG games in the franchise, Color Splash opts to be a light action adventure instead much like its immediate predecessor. Upon reveal, many fans of the series were outraged that Color Splash appeared to follow in the footsteps of Sticker Star rather than the original RPG’s, fearing that that the game may abandon the series roots outright; while others were more interested on whether or not the game could improve upon the flaws of those that came before it. I have had the game for a couple weeks now, so let’s take a look at just how Paper Mario: Color Splash compares to its predecessors, and whether or not it has come into its own.
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The game opens with Peach, Mario, and a nameless toad investigating the colorless cutout of another toad. The only clue to be had is the post marking it’s back, so all three board a ship and head towards where the letter originated; Port Prisma. Upon arriving in the town, they quickly discover that Bowser and his Minion have launched an attack on Port Prisma and its surrounding lands, draining the color from them and their denizens. To top it all off, Bowser has scattered the six big Paint’s Stars, the source of the islands color, to the far corners of the realm. With the help of Huey, a magical talking paint can; Mario sets off to repaint the island, rescue its citizens, retrieve the big paint stars and their pieces, and ultimately stop Bowser and his sinister plan.
One of the biggest criticisms that Sticker Star received was its relative lack of interesting story or characters; Color Splash addresses this particular issue moderately well by creating the much needed context for playing that Sticker Star lacked. Every level has its own miniature story to drive Mario towards the small paint star at the end of each; each with unique characters, themes, settings and general problems to resolve. One level you might be solving a mystery at a haunted hotel, the next you might be sailing the seas with a pirate; each level has something to call its own and contributes a great deal of variety to the narrative. Eventually these levels culminate in in a final section for a particular set of themes, and a battle with one of the Koopalings; with a Big Paint star being the prize for victory. The context provided by these miniature stories go a long ways towards immersing the player in the world, and incentivizing them to push onwards. It is a much needed frame of reference for the game that Sticker Star lacked, and In many ways this structure feels like a return to from akin to the original Mario RPG’s Such as the Thousand Year Door. The writing is as sharp as it has ever been, character dialogue is engaging, and the game boasts plenty of meta-humor for those looking for a laugh. Huey, Mario’s partner in all of this, has excellent writing and acts as a valuable foil to Mario’s mute persona. At every major problem or interaction Huey takes up the brunt of the conversation with a bit of useful advice and often humorous dialogue. He also acts as valuable navigator and provides helpful hints or observations when called. However, outside of his original purpose of guarding the Paint Stars, Huey lacks much in the way of personality to call his own; Huey is definitely a huge step up from Kersti, but lacks much of the spark that many of the previous companion characters in the series have had.
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With all that said; there are still some issues with the games narrative. While the individual levels and areas of the game are filled with interesting characters and dialogue, Color Splash does not have much in the way of an overarching plot. The vast majority of levels (with a few notable exceptions) have little to no narrative connection to the next, while the main story revolving around Bowser is almost non-existent and without any real sense of urgency being given until the very last level. Although the writing is great, the lion’s share of the dialogue is not grounded in the world, and exists solely to move Mario forward or for the sake of a joke. With a few notable exception such as the Pirate and Train stories, most levels and characters do not have any significance to the plot and serve only to push the levels story forward around the time of their introduction. Despite having a modest cast of characters to work with to craft a story, most of the characters in the game have titles instead of names, and with the exception of Huey and one other NPC, only pre-existing Mario characters have the luxury of a name to call their own. Simply put, the game has the narrative to push you forward, but very little in the way of a story to bring you back for more; the game tells the narrative of a paper world, as opposed to using the world to tell a story.
Visually the game looks amazing; it is a world made entirely out of paper and polished with charm. Everything, and I mean EVERYTHING is made out of paper craft materials; the ground, the sea, the sky, buildings and trees, pavement and furniture, even the graphical effects, all of them are lovingly crafted to look like they were made out of paper, and yet nothing feels like it was compromised to accommodate the paper-craft style. The lone exception to this are the “Things”, but more on that later. The world itself follows the themes laid down by most recent Super Mario games (Grassland, Forrest, Desert, Fireworld etc.) with slight changes in-between; however unlike Sticker Star, each of the levels set in these areas are given unique themes of their own that add much needed flavor to the world as a whole. Every level has its own unique assets and style to match its story, which provides a far greater sense of variety than your typical Mario game as of late.
Unfortunately this degree of variety is no afforded to the NPC’s in the game, as almost all of them are cut directly from ultra-simplistic designs set forth by the New Super Mario Bros (NSMB) and 3D Land/World series. The entirety of friendly NPC’s are limited to pallet swapped toads and the rare one-off shyguy, with articles of clothing being infrequently distributed among them; while enemy NPC’s are all stock cutouts of their NSMB counterparts, 90% of which being some variation of Shy-Guy. The NPC’s simply feel hollow by comparison to the rest of the world and previous Paper Mario games. Despite this however, the majority of the game feels like a living breathing paper-craft diorama, with every other aspect lovingly crafted in great detail from various craft materials.
When it comes to the games audio, Color Splash does not disappoint. The music is perpetually upbeat and joyous, with a strong line of instrumental and synthesized tracks that impresses a sense whimsy and joy; yet it never feels overpowering and stays in context to the scene around you. Sound effects are equally as energetic and match the theme of the game. Some tracks in the game unlock additional channels as you progress through the game, making the world and music feel dynamic as they change and grow with the player, while others stick to the theme and aesthetic of their respective areas. The sound quality in Color splash is consistently good, and never deviates from the attitude that the rest of the game portrays; although this means that none of the games music ever strives to be more than part of the scene, it never fails to fit in snuggly with the rest of the game. You won’t find the next “Gusty Garden” here, but you might find yourself humming a few infectious ditties from time to time.
Everything from the world, to the music, to the interface, and even the games own digital manual (complete with spoilers and flavor text tied to your save file) bare these aspects. NPC’s aside, it is hard to describe the game as anything other than utterly charming. Virtually every aspect of the game embraces it’s paper-craft theme with open arms and runs with it from start to finish; from the broad strokes to the smallest details, It is truly a beautiful looking game.
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(Part 2)
At first glance Color splash plays like the original paper Mario games, Mario can jump, has a hammer, and a special ability; from which you as the player must use to solve various light puzzles and busywork. However for better and worse, this is where the similarities end. Early on in the game Huey grants Mario the ability to paint things with his hammer; this allow Mario to repaint the color drained portions of the land and restore life and functionality to the devices and NPC’s Mario comes across during his adventure; In addition to restoring parts of the map, filling in the colorless portions of the land also reward Mario with money and the occasional battle card. Although painting the world is not that much of a mechanical revolution, it is strangely cathartic; something about repainting everything and repairing the world tickles the brain a bit, it just feels right.
Color Splash requires the Gamepad to be played; there is no option to play with the pro controller or wii remote. This is likely due to the games dependency on the touch screen for item management and menu navigation, however it still feels odd considering how little these are actually used. The touchscreen controls work fine, but there are no options to use more traditional controls to supplement them. Curiously, several buttons on the Gamepad go completely unused, with others being recycled to the same input. It seems that the controls were simplified to accommodate other controllers, but then dropped them at the last minute to focus on the gamepad's touch screen implementation. Off screen play is also supported, but can only be accessed at the games startup menu or in the options menu; there is no way to switch between them on the fly.
Another (and more functional) ability that you learn early on is the “Cutout” power; which allows Mario to bend the laws of physics and alter the world around him by cutting out parts of the land. What this translates to is that you can physically cut out certain parts of the game world to help Mario bypass certain obstacles, physically alter the environment, and insert a necessary object to progress the story. In theory the cutout mechanic allows for a great variety of perspective based puzzles and applications; in practice however Color Splash tends to underutilize the perspective puzzles in favor of contextual Thing Cards, which is a bit of a disappointment. The cutout mechanic is a very promising idea, but it is not used to its full potential.
Thing Cards function identically to the Thing Stickers from Paper Mario: Sticker Star, albeit slightly easier to get. The way they work is that throughout the world are a number of oversized non-paper “Things” that Huey can squeeze the paint out of and convert into a Thing Card; these cards can then be used in battle or in conjunction with the cutout power to solve various battle and logic puzzles. They act as powerful weapons and clever keys to to various puzzles, however which Thing Card’s you need to solve these puzzles however can be incredibly arbitrary; The “Icepick” Thing for example won’t actually break any ice in the game, but is instead used for another completely unrelated puzzle. Many Thing cards that are the solution to other puzzles or battles often don’t make any sense compared to the alternatives; often there are no reliable hints or indications prior to a puzzles as to which card you will need to use, and most Thing’s are not located in or near the same area that they are used, meaning you will often need to intuit which card you will actually need with no way of actually knowing which one is correct. It is adventure game logic at its worst, with large focus on trial and error at the expense of the player.
On its own, this would be a forgivable offense, the catch however is that each Thing Card can only be used once, regardless of whether or not it is was the correct card to use in that situation; and in order to replace it you must travel back to its original spawn point or go to the black market to get a new one. At first this might not seem like this is that big a problem, but it results in a number of serious problems; if you use the wrong Thing Card, use the right one at the wrong time, or even use it in the wrong order, you will have to abandon whatever boss battle or puzzle you are currently at and get a replacement card or suffer a humiliating Game Over. Couple this with the fact that enemies and even some puzzles will reset when you leave a level, and it can lead to a sort of paranoia in which you might hoard as many Things Cards as you can carry so that you will have the correct one when it is needed, but fear using any of them in case it might be wrong one. This problem could have easily been avoided if Thing cards were permanent upgrades with their uses tied to your paint level as apposed to single use item, but as is they break the flow of the gameplay and often conflict with the narrative theme.
Levels are split into separate location scattered across the island, each containing 1-3 paint stars and connected by an over-world map. Each time Mario collects a new paint star it will repaint a portion of the map and open up a new pathway to nearby levels, as well as kick Mario out to the overworld map with a bonus of coins. Because some levels contain multiple stars, some of which are directly next to each other, it can be a bit frustrating to have to revisits a level to pick up the other stars since the game returns you back to map each time you collect one; it is not a major inconvenience, by why it was implemented this was is a bit of a mystery. Although the overworld map is not as immersive as a continuous or linked level structure, the inclusion of miniature paint-stars and their significance to the story makes this set up far more compelling the map and hub based system from the last two Paper Mario games. Much like the painting mechanic, restoring part of the world with each star adds a sense of progress to the game that goes a long ways towards motivating you to continue playing.
The combat system works much the same as the battle system did in Sticker Star but with a few improvements to the overarching design. Whenever Mario enters a battle, all of his actions (except for fleeing and blocking) are tied to the cards in his hand; (note that the hand is functionally you entire deck). All battles are turn based, with Mario and Enemy characters taking turns to attack each other, although in the case of Mario you can block incoming attacks with good timing to reduce their damage by half. Each turn Mario can select up to a set number of cards to use or choose to flee. When cards are selected Mario can paint them and then play them to begin an attack and quick time event (QTE) respective to which cards were selected; the better you perform the QTE the more powerful the attacks become, while the more color a card has the stronger its default attack power will be. As the story in the game progresses you can earn 1 of 3 upgrades to increase how many cards can be played per turn.
Although a card based system sounds interesting at first, its probably not be what you expect from a card based combat system. Rather than building a deck and playing various cards in conjunction to each other like most card based games, the cards in color splash function identically to the stickers from Sticker Star; meaning that they all serve as one off attacks and items with no other functions. Once a card has been selected, it is permanently lost at the end of the turn; regardless of whether or not you actually used the card by the end of the battle. It is essentially a glorified item menu. This effectively destroys the collectible motivation most card games are built around, and recreates the same dilemma many players had with Sticker Star; “Why fight at all?”. Because the cards you own are finite, there is still no reason to use them on common enemies as it would be better to save them for a required fight.
To offset this issue Color Splash takes a number of steps to improve the experience. The game showers you with common cards and money for beating enemies and repainting the land, ensuring it will be difficult to run out of cards. If you do ever run out of cards mid-fight however, the game goes one step further by allowing you to spend a few coins and draw a new card to your hand from a randomized deck. Color splash also tries to address the problem of fights feeling pointless by providing hammer points at the end of each battle, a kind of XP System that raises the maximum amount of paint you can carry each time it levels up. At first glance this does provide incentive to fight enemies, however it is ultimately insignificant on how much it affects most fights; you simply won’t run out of paint often enough to justify the time sunk into grinding for it. Considering the sheer number of enemies the game throws at you and the cost of using cards to fight them, it often best to avoid combat altogether than to get bogged down for a few insignificant hammer points. Late game this can be offset somewhat by the fact that weaker enemies can be instantly killed with a primitive jump or hammer strike, which helps alleviate the stress of battles somewhat. However if you ever find yourself stuck in a battle you wanted to avoid, it is often faster just too simply grind through the fight than try to flee from it.
If you choose to flee from a battle, Mario will try to escape from the fight; however unlike all previous games in the series, the outcome of whether or not you succeed in escaping is entirely random, and if you fail to escape you forfeit your turn and take a beating. Fleeing feels like a punishment in this game, not because you did poorly in battle and needed run, but because you had the nerve to try a bypass one of the games pointless fights.
Despite all the problems I just mentioned about the combat system, battles are generally fun and somewhat engaging, but the longer you play the game the more tedious and boring they start to become. For all of the improvements that Color Splash has made to the formula laid down by Sticker Star, they all feel like patchwork to cover up the problems created by the combat system rather than actually fixing them. Why this flawed combat system was chosen in the first place instead of the far more compelling traditional battle systems pioneered by the original Mario RPGs is something that only Nintendo can answer to; whatever the reason is however, the game simply loses far more than it gains by sticking with its item driven battle system.
On that note, some may also find the tone of the fights in this game somewhat dissonant towards the narrative and tone that the rest of the game portrays. Enemy NPC’s will fill the screen with merry dialogue and even have a friendly talk with Mario from time to time, yet at a moment’s notice the game will throw these NPC’s at you with no other option but to exterminate them. With the exception of toads, there is no distinction made between which NPC’s are friendly and which ones are hostile; characters that are shown to be more than just minions in dialogue are quickly disposed of and used as nothing more than filler for the common fight. Yet throughout all of this Mario and company act completely oblivious to it all. It runs contrary to games narrative and theme, and often just feels downright mean-spirited at times. Again, very contrary to the vibes that previous Paper Mario games gave off, which often went to great lengths to ensure that characters and common enemies were kept separate or handled appropriately.
[MEDIA=youtube]mQFBYSr-cPI[/MEDIA]
So with all that said and done, just how does Paper Mario: Color Splash compare in the grand scheme of things? The game improves upon its predecessor in just about every way, but still retains some of the key flaws that held it back. Its story is an enjoyable one, even if there is not much to be invested in. It has perfected the graphical aesthetic of the Paper Mario series and matches the tone throughout, yet never manages to take full advantage of the creativity it has at its fingertips. The combat system and focus on “Things” are still a blight on the series, but still manage to enjoyable most of the time. Paper Mario: Color Splash is a strange case: It is polished to mirror shine, and one of the most the most refined games I have ever played; and yet many of the core mechanics on which the game is built are deeply flawed and hinder the experience, with several arbitrary choices further complicating the flow of the game. Despite all this the game is simply fun to play however, but the spark that the series is known for smolders; still present, but never able to bloom into its full potential. Longtime fans of the series will likely be disappointed with Color Splash, but at the same time they and anyone else who is simply looking for a fun game may be pleasantly surprised by what they find.
Paper Mario: Color Splash gets and 8.5 / 10.
The pictures did not copy from my word document, but baring a few revisions ill be posting this on Nintendo section of EG over the weekend; the sites editor asked me to review the game so I have been working on the review for past few weeks when I get time between classes.
Please let me know what you think! Whether or not you agree/disagree and if their are any typo's/flow issues I need to iron out.
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Re: Gen Chat XV: A Whole New Chat
by LegendX48 Sat Oct 29, 2016 8:59 am
Skyrim Remastered is much better looking that old skyrim but it is still skyrim and is still ugly as sin.
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Re: Gen Chat XV: A Whole New Chat
by Koenig Sat Oct 29, 2016 6:02 pm
My review is up on EG now!
http://www.enthusiast.gg/6345/PaperMarioColorSplash
for some reason though none of the pictures I embeded with it show up...
http://www.enthusiast.gg/6345/PaperMarioColorSplash
for some reason though none of the pictures I embeded with it show up...
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Re: Gen Chat XV: A Whole New Chat
by Bearhugger29 Sat Oct 29, 2016 7:55 pm
LegendX48 wrote:Skyrim Remastered is much better looking that old skyrim but it is still skyrim and is still ugly as sin.
Just like the piece of shit the game is to begin with.
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Re: Gen Chat XV: A Whole New Chat
by Koenig Sat Oct 29, 2016 7:58 pm
Never knew you guys were so critical of Skyrim; although it does make me wonder how the game would look if it was cell-shaded...
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Re: Gen Chat XV: A Whole New Chat
by Koenig Sat Oct 29, 2016 8:33 pm
What is the spiciest pepper you have had?Lunacy wrote:I just ate a ghost pepper, and while spicy, no where near how much I thought it would be. Also, not the spiciest pepper I've ever had.
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Re: Gen Chat XV: A Whole New Chat
by Lunacy Sat Oct 29, 2016 9:26 pm
I'm not sure, to be honest, since, being of Mexican heritage, "salsa" has been popular as a condiment. So whether it was at parties or family, I've had many types. Spiciest thing I could recall eating was a salsa that one of my uncle's ex-girlfriend made for his birthday a few years ago. I really wish I had asked what was in it, since it was delicious and super spicy.
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Re: Gen Chat XV: A Whole New Chat
by Bearhugger29 Sat Oct 29, 2016 9:30 pm
WOW okay so I have 184 PS4 digital games right now. Enjoy the list
7 Days to Die
AdVenture Capitalist
Adventures of Pip
Alienation
Atari Flashback Classics vol.1
BATMAN – The Telltale Series
Batman: Arkham Knight
Battlefield 4
Battlefield Hardline
Bedlam
Big City Stories
Bloodborne
Blues and Bullets
Borderlands 2
Borderlands: The Pre-Sequel
Bound by Flame
Broken Age
Broken Sword 5 – The Serpent’s Curse
Cabela's African Adventures
Call of Duty: Advanced Warfare
Call of Duty: Black Ops III
Call of Duty: Ghosts
Corridor Z
Croixleur Sigma
Crypt of the NecroDancer
Dangerous Golf
Dark Souls II: Scholar of the First Sin
Dead Nation: Apocalypse Edition
Diablo III: Reaper of Souls - Ultimate Evil Edition
Digimon Story Cyber Sleuth
Divinity: Original Sin - Enhanced Edition
Dragon Age: Inquisition
Dragon Ball XenoVerse
Drawful 2
Drawn to Death
Dreamals
DRIVECLUB
Dust: An Elysian Tail
Dynasty Warriors 8 Empires
EA SPORTS Rory McIlroy PGA TOUR
EA SPORTS UFC
EA SPORTS UFC 2
Enter the Gungeon
Escape Plan
Everybody's Gone to the Rapture
Fallout 4
Far Cry 4
Fat Princess Adventures
Fibbage
Final Fantasy VII
FINAL FANTASY XIV: A Realm Reborn
Firewatch
Frozen Free Fall: Snowball Fight
Galak-Z: The Dimensional
Gemini: Heroes Reborn
Gems of War
God Eater: Resurrection
God of War III Remastered
Gone Home
Grand Ages: Medieval
Grand Theft Auto Vice City
Grow Home
Gunscape
Hand of Fate
Hardware: Rivals
Helldivers
Hotline Miami
How to Survive: Storm Warning Edition
I Am Bread
Injustice: Gods Among Us Ultimate Edition
Invisible, Inc.
Joe Dever's Lone Wolf Console Edition
King's Quest
Kitten Squad
Lara Croft and the Temple of Osiris
Layers of Fear
LEGO Batman 3: Beyond Gotham
Life Is Strange
LittleBigPlanet 3
Lords of the Fallen
Mad Max
Magicka 2
Mahjong
Mega Man Legacy Collection
Megadimension Neptunia VII
Metal Gear Solid V: The Phantom Pain
Middle-earth: Shadow of Mordor - Game of the Year Edition
Minecraft: PlayStation 4 Edition
Mortal Kombat X
NBA 2K16
Need for Speed
Neverwinter
NHL 15
NHL 16
Nightmares from the Deep: The Cursed Heart
Ninja Senki DX
No Man's Sky
Nobunaga’s Ambition: Sphere of Influence
Not A Hero
Nova-111
Omega Quintet
Outlast
OXENFREE
PaRappa the Rapper 2
Plague Inc: Evolved
Prominence Poker
Q.U.B.E. Director’s Cut
Quiplash
Race The Sun
Randal's Monday
Rebel Galaxy
Resident Evil
Resident Evil 0
Resident Evil 6
Resident Evil Revelations 2
Retro City Rampage: DX
Risk of Rain
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There Came an Echo
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Bearhugger29- Posts : 484
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Re: Gen Chat XV: A Whole New Chat
by -Mazer Sat Oct 29, 2016 11:38 pm
Koenig wrote:Never knew you guys were so critical of Skyrim; although it does make me wonder how the game would look if it was cell-shaded...
*goes to read your review*
Personally I love skyrim. And I cannot wait for the new graphics to be implemented. The game already looks beautiful but now that it is optimized better, I am expecting the new graphics to look even better.
And MEH to Bear and Legend. I love Skyrim. So much more fun than Oblivion ever was
-Mazer- Admin
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Similar topics» Gen Chat 9: THE HORROR!
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» Gen Chat 03: The Laughing man
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